Showing posts with label pixiu. Show all posts
Showing posts with label pixiu. Show all posts

Friday, 20 June 2014

Treasured Masterpieces of Ancient Chinese Imperial Treasure Exhibiting in Japan for the First Time

Hundreds of artefacts and artworks from the Taipei National Palace Museum were due to go on display in Japan for the first time.
But Taiwan threatened to cancel the event after it emerged that the word “national” had been omitted from a number of promotional posters and tickets.
The name issue has long been a sensitive topic for Taiwan, which is recognised by only 22 countries after a decades-old diplomatic tug-of-war with China from which it split in 1949.

In order to give its artifacts and artwork on loan, the NPM wanted guarantees from the Japan government, not only from the museums, that its masterpieces would be sent back after the exhibit in Taipei.

For this reason, Taiwan does not send its works of art to states that do not have specific laws on the matter. So imagine  How the leader of the  Taiwan   will feel  ,as  Taiwanese noticed the "National " word  is  missing .
Guaranteess from Japan  become a worrisome commitment  ; To  them as the Missing  Word on the brochure , may not be that serious  ,But  The Heritage  of Chinese 's 500 years  History and Culture  may be at risk  therefore   such   Careless mistake  cannot  be Taken Too for Granted .


In the  past  since   1991, Taiwan  sent various works of art to countries that offered legal guarantees," said NPM Director Dr Feng  , and Other Countries in the region  may be  given similar opportunites in the near future  except maybe China .  Similar agreements have been signed in the past with the United States, France, Germany and Austria.

Among the museums that preserve the masterpieces of Chinese art, the one in Taipei has the same origin as the Palace Museum in Beijing's Forbidden City
Taiwan's NPM holds in fact more than 696,000 artefacts brought from Beijing to Taiwan after the civil war in mainland China.

The disagreement broke out  in Mid June  2014  after the name of Taiwan’s national museum was changed in promotional posters advertising an upcoming exhibition in Japan — a spat that highlighted Taipei’s sensitivity over its global  diplomatic status.
Hundreds of artifacts and artworks from the Taipei National Palace Museum were due to go on display in Japan for the first time.
But Taiwan threatened to cancel the event after it emerged that the word “national” had been omitted from a number of promotional posters and tickets.

The name issue has long been a sensitive topic for Taiwan, which is recognised by only 22 countries after a decades-old diplomatic tug-of-war with China from which it split in 1949.
The row was solved at the last minute after the Tokyo National Museum, the exhibition’s main sponsor, fixed the problematic posters, museum officials in Taipei said.

A Taiwan Spokewoman  added that the Tokyo museum owes Taiwan an apology for its mistake. Taiwanese officials have insisted the Tokyo museum guaranteed in a contract that the lender’s full name would be used and that the word “national” would not be omitted.

Japan, like most countries, has diplomatic ties with Beijing rather than Taipei. But it maintains close trade and other ties with Taiwan, which was its colony from 1895 to 1945.
The National Palace Museum last year announced the loan of 231 artefacts to Japan, its first to an Asian country, following exhibitions in the United States, France, Germany and Austria.
The museum’s contents — one of the world’s finest collections of Chinese treasures — mostly came from Beijing’s Forbidden City.
They were brought to the island by Nationalist leader Chiang Kai-shek, when he fled to Taiwan after losing the Chinese civil war to the communists in 1949.

For years the National Palace Museum was unwilling to lend the artefacts to Japan for fear that China would try to reclaim them, until the Japanese government passed a law in 2011 to prevent such seizures.
China regards Taiwan as part of its territory awaiting reunification, by force if necessary, although tensions have eased markedly since Taiwan’s President Ma  Took Office

Origin of Ancient Chinese Imperial Treasure


Monday, 31 March 2014

The Splendors of China, U.S Tour by Asian Art Museum -New York , Chicago and San Francisco

The  exhibition been organized by the National Palace Museum, Taipei, and The Metropolitan Museum of Art, New York

It is supported in part by The Henry Luce Foundation, The Starr Foundation, the National Endowment for the Humanities, the National Endowment for the Arts, and an indemnity from the Federal Council on the Arts and the Humanities. Transportation assistance has been provided by China Airlines.

Support for local presentation has been generously provided in part by The Chase Manhattan Private Bank, the Bernard Osher Foundation, KGO-Newstalk AM 810, KGOTV Channel 7, The San Francisco Chronicle, and Grants for the Arts of the San Francisco Hotel Tax Fund.


"Two catalogue volumes have been published to commemorate the exhibit. The full catalogue, “Possessing the Past: Treasures from the National Palace Museum,Taipei,” by Wen C. Fong and James C.Y.Wyatt, is 648 pages long, and is priced at$85. “Splendors of Imperial China: Treasures from the National Palace Museum,Taipei,” by Maxwell K. Hearn, is a beautiful, shorter (144 page) report of the exhibit, priced at $35. Both volumes are published by The Metropolitan Museum of Art, N.Y. and the National Palace Muse-um, Taipei, and may be available in local libraries."


China Treasure


An unsurpassed survey of Chinese art treasures from one of the greatest collections in the world will be on view at the Asian Art Museum in Golden Gate Park from October 14 to December 8, 1996. Heralded by scholars and critics as the greatest exhibition of Chinese art ever presented in America,Splendors of Imperial China: Treasures from the National Palace Museum, Taipei spans over 4.000 years of Chinese history and features nearly 350 of the finest and most famous works from the National Palace Museum, Taipei, whose holdings are based on the personal collections of China's emperors. Included in the exhibition are priceless paintings, jades, bronzes, ceramics, textiles and lacquerware which were passed among China's imperial rulers from century to century.

 China Bronze Artifact 


Splendors of Imperial China has been organized by the National Palace Museum, Taipei, and The Metropolitan Museum of Art, New York, and is drawn entirely from the National Palace Museum, which possesses one of the world's richest and most renowned collections of Chinese art. On only two other occasions have exhibitions from the National Palace Museum been seen in the west - in London (1935-36) and in the United States (1961-62).

The works of art in the National Palace Museum, Taipei, are classified as national treasures; some have been passed down from dynasty to dynasty since the Northern Sung period (960-1127), the era when the foundation of the collection was amassed. The greater part of the Museum's vast collection entered the Palace during the reign of the Ch'ien-lung emperor (reigned 1736-95), and many of the objects, especially those in jade and bronze, are intimately connected with state rituals. Others have served as symbols of sovereign power such as the Emperor's jade seal, which in China is the equivalent of the crown of a European king.

Following the collapse of the Ch'ing dynasty in 1911 and the eventual expulsion of the last emperor from the Forbidden City in 1924, the Palace Museum opened in Peking in 1925. With the Japanese invasion of Manchuria in 1931 and the imminent danger of an assault on northern China, the government took measures to safeguard the treasures in the Palace Museum. A large group of the finest objects was carefully placed into wooden crates and shipped south, beginning a 30-year odyssey that took the art over thousands of miles by train, boat, truck, and even hand towed barge, usually under the most adverse wartime conditions. At war's end, the nearly 20,000 crates, which had been divided into several shipments to avoid detection, were reunited in Nanking for a brief period before Chiang Kai-shek moved a selection of them containing more than 600,000 pieces to Taiwan in 1949. It was another 16 years - during which time the collection was stored first in sugar warehouses and then in specially constructed tunnels, before the National Palace Museum, Taipei, opened in 1965 and the public was again able to see this legacy of Chinese civilization.

Among the earliest treasures on view in Splendors of Imperial China are perforated discs (pi) of jade from the 3rd and 2nd millennium BC, and ancient bronze vessels from the Shang (c. 1600-1100 BC) and Chou (c. 1100-256 BC) dynasties. Remarkable examples of calligraphy, figure and landscape painting from the Sung dynasty (10th-13th century), and masterpieces by the creators and reformers of the literati (scholar-artist) tradition from the Sung through early Ch'ing periods (11th-18th century) are highlights.

Visitors to the San Francisco presentation of Splendors will have the opportunity to view numerous works that have never been seen outside of China. Two life-size imperial portraits -- Portrait of Sung Jen-tsung (anonymous, 11th century) and Portrait of the Hungwu emperor (anonymous, 14th century), are among those showcased. The exhibition features a selection of the finest known examples of imperial ceramics from the Sung through Ch'ing periods, as well as stunning cloisonne, enamels, snuff bottles, and writing tools. Rare treasures in jade are complemented by an array of lacquerwares including boxes, trays, vases and screens. Of particular note are the exquisite treasure boxes of the Ch'ien-lung emperor that replicate in miniature his personal favorites from the imperial collection.




China Mystic Wealth Luck 


that delves into what a lot of us have been struggling with. Whether we are rich or we are struggling to pay the bills, everyone wants to know how to be prosperous; how to attract wealth and keep the wealth that we have attracted. This book explores that desire we all have and proffers real world and practical solutions that are rooted  since  ancient times

The secrets revealed in this book are those that have been practices in ancient China for thousands of years. These are the secrets that famously wealthy Asian business men have gotten hold of and used to build multi-billion dollar empires. The author dug into the myths and legends surrounding these secrets and has graciously shared her findings with us.



Many of these are rooted in spirituality. The ancient Chinese understood that the world was not one-dimensional and that the spiritual impacted on the physical. As such, this book shows us how we can tap into the wealth of the universe and make it ours. It is definitely worth the read.